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@‚Ђ‚Ĕ­”„‚ģ‚ę‚―‚ā‚ĖAˆ―‚Ē‚ÍŒŧÝ”­”„‚ģ‚ę‚Ä‚Ē‚é‚ā‚Ėi”ņģ‹K”Õ‚ðŠÜ‚ށj‚͍ڂđ‚Ä‚Ē‚Ü‚·B‚b‚c|‚q”Õ‚ū‚Ŋ‚ŃŠƒŠ[ƒX‚ģ‚ę‚Ä‚Ē‚é‚ā‚Ė‚͍Ōã‚ɂ܂Ƃ߂čڂđ‚Ä‚Ē‚Ü‚·B@V‹K‚É”­”„‚ģ‚ę‚―ƒ‰ƒCƒ”“™‚́AŽž’Į‰Á‚ĩ‚Ä‚Ē‚Ŧ‚Ü‚·B
@‹Č–ˆ‚ÉŠī‘z‚ðÚ‚đ‚Ä‚Ē‚Ü‚·BƒfƒBƒXƒRƒOƒ‰ƒtƒB‚Ė@@‚ðƒNƒŠƒbƒN‚ĩ‚Ä‚­‚ū‚ģ‚ĒB
@ Discography English ver.


@XVó‹ĩ@


@

Auber

@‰ĖŒ€uƒtƒ‰EƒfƒBƒAƒ”ƒHƒv`˜‹Č

@ƒxƒ‹ƒŠƒ“‘—§‰ĖŒ€ęo.@29.5.22@Berlin@(Parlophon P9406)@Mono

Bach

@ŠĮŒ·Šy‘g‹Č‘æ‚P”Ôƒn’·’ēBWV.1066

@(1) PO.@54.11.19-23@Kingsway Hall, London@(EMI)@Mono
@(2) NPO.@69.9.17-19,10.6,15-17@Abbey Road Studio, London@(EMI)@Stereo

@ŠĮŒ·Šy‘g‹Č‘æ‚Q”Ôƒ’Z’ēBWV.1067
@(1) ƒnƒ“ƒKƒŠ[Rso. J.ƒZƒxƒj[(fl)@49.6.19L@(Hun)@Mono
@(2) PO.@54.11.19-23@Kingsway Hall, London@(EMI)@Mono
@(3) NPO. G.ƒ‚ƒŠƒX(fl)@69.9.17-19,10.6,15-17@Abbey Road Studio, London@(EMI)@Stereo

@ŠĮŒ·Šy‘g‹Č‘æ‚R”Ôƒj’·’ēBWV.1068
@(1) PO.@54.11.19-23@Kingsway Hall, London@(EMI)@Mono
@(2) –kƒhƒCƒcRso.@55.9.28L@Hamburg@Mono
@(3) ƒoƒCƒGƒ‹ƒ“Rso.@57.9.27L@Herkules Saal, Munich
@(4) BPO.@64.5.31L@Philharmonie,Berlin@Mono
@(5) NPO.@69.9.17-19,10.6,15-17@Abbey Road Studio, London@(EMI)@Stereo
@`ƒAƒŠƒA
@(1) LAPO.@45.12.16L
@(2) BPO.@66.5.12L?@Philharmonie, Berlin

@ŠĮŒ·Šy‘g‹Č‘æ‚S”Ôƒj’·’ēBWV.1069
@(1) ƒnƒ“ƒKƒŠ[Rso.@49.4.17@(Hun)@Mono
@(2) PO.@54.11.19-23@Kingsway Hall, London@(EMI)@Mono
@(3) NPO.@69.9.17-19,10.6,15-17@Abbey Road Studio, London@(EMI)@Stereo

@ƒuƒ‰ƒ“ƒfƒ“ƒuƒ‹ƒN‹Ķ‘t‹Č‘æ‚P”Ôƒw’·’ēBWV.1046
@(1) ƒpƒŠEƒvƒEƒ€ƒWƒJo.@46.7.2-7@Apollo Studio, Paris@(Vox)@Mono
@(2) PO. P.ƒjƒ…[ƒuƒŠƒC,S.ƒTƒgƒNƒŠƒt,S.ƒXƒ~ƒX(ob) H.ƒr[ƒ“(vn) C.ƒWƒFƒCƒ€ƒX(fg) A.ƒVƒ”ƒBƒ‹,A.ƒEƒbƒhƒo[ƒ“(hr) G.ƒ}ƒ‹ƒRƒ€(cemb) @60.9.30, 10.1,3-9,11@Abbey Road Studio, London@(EMI)@Stereo
@(3) ƒtƒBƒ‰ƒfƒ‹ƒtƒBƒAo.@62.11.3L@Academy of Music, Philadelphia

@ƒuƒ‰ƒ“ƒfƒ“ƒuƒ‹ƒN‹Ķ‘t‹Č‘æ‚Q”Ôƒw’·’ēBWV.1047
@(1) ƒpƒŠEƒvƒEƒ€ƒWƒJo.@46.7.2-7@(Vox)@Mono
@(2) PO. S.ƒTƒgƒNƒŠƒt(ob) H.ƒr[ƒ“(vn) G.ƒ‚ƒŠƒX(fl) A.ƒVƒFƒ‹ƒoƒEƒ€(tp) G.ƒ}ƒ‹ƒRƒ€(cemb)@60.9.30, 10.1,3-9,11@Abbey Road Studio, London@(EMI)@Stereo

@ƒuƒ‰ƒ“ƒfƒ“ƒuƒ‹ƒN‹Ķ‘t‹Č‘æ‚R”Ôƒg’·’ēBWV.1048
@(1) ƒpƒŠEƒvƒEƒ€ƒWƒJo.@46.7.2-7@Apollo Studio, Paris@(Vox)@Mono
@(2) PO. G.ƒ}ƒ‹ƒRƒ€(cemb)@60.9.30, 10.1,3-9,11@Abbey Road Studio, London@(EMI)@Stereo

@ƒuƒ‰ƒ“ƒfƒ“ƒuƒ‹ƒN‹Ķ‘t‹Č‘æ‚S”Ôƒg’·’ēBWV.1049
@(1) ƒpƒŠEƒvƒEƒ€ƒWƒJo.@46.7.2-7@Apollo Studio, Paris@(Vox)@Mono
@(2) PO. H.ƒr[ƒ“(vn) G.ƒ‚ƒŠƒX,A.ƒAƒNƒƒCƒh(fl) G.ƒ}ƒ‹ƒRƒ€(cemb)@60.9.30, 10.1,3-9,11@Abbey Road Studio, London@(EMI)@Stereo

@ƒuƒ‰ƒ“ƒfƒ“ƒuƒ‹ƒN‹Ķ‘t‹Č‘æ‚T”Ôƒj’·’ēBWV.1050
@(1) ƒpƒŠEƒvƒEƒ€ƒWƒJo.@46.7.2-7@Apollo Studio, Paris@(Vox)@Mono
@(2) ƒnƒ“ƒKƒŠ[Rso.@A.ƒtƒBƒbƒVƒƒ[(pf)@50.1.20@Studio No.6, Hungarian Radio@(Hun)@Mono
@(3) PO. H.ƒr[ƒ“(vn) G.ƒ‚ƒŠƒX(fl) G.ƒ}ƒ‹ƒRƒ€(cemb)@60.9.30, 10.1,3-9,11@Abbey Road Studio, London@(EMI)@Stereo

@ƒuƒ‰ƒ“ƒfƒ“ƒuƒ‹ƒN‹Ķ‘t‹Č‘æ‚U”ԕ󍒷’ēBWV.1051
@(1) ƒpƒŠEƒvƒEƒ€ƒWƒJo.@46.7.2-7@Apollo Studio, Paris@(Vox)@Mono
@(2) PO. G.ƒ}ƒ‹ƒRƒ€(cemb)@60.9.30, 10.1,3-9,11@Abbey Road Studio, London@(EMI)@Stereo

@ƒJƒ“ƒ^[ƒ^‘æ‚Q‚O‚Q”ԁuÁ‚Ķ‚æA”ß‚ĩ‚Ý‚Ė‰evBWV.202
@ACO. E.ƒVƒ…ƒ”ƒ@ƒ‹ƒcƒRƒbƒv(S)@57.2.6L@Concertgebouw, Amsterdam

@ƒ}ƒjƒtƒBƒJƒgBWV.243
@ ƒnƒ“ƒKƒŠ[Rso. cho. A.ƒo[ƒeƒB(S) J.ƒVƒƒ[ƒ“ƒhƒ‹(S) M.ƒeƒBƒTƒC(A) L.ƒVƒ‡ƒ‚ƒWƒ”ƒ@[ƒŠ(T) G.ƒŠƒ^ƒVƒB(Bs) O.ƒiƒW(pf) S.ƒ}ƒ‹ƒMƒ^ƒC(org)@50.1.20@Studio No.6, Hungarian Radio@(Hun)@Mono

@ƒ~ƒT‹Čƒ’Z’ēBWV.232

@(1) NPO. BBCcho. A.ƒM[ƒxƒ‹(S) J.ƒxƒCƒJ[(A) N.ƒQƒbƒ_(T) H.ƒvƒ‰ƒC(Br) F.ƒNƒ‰ƒX(Bs) @67.10.18-20,23-26,30-31, 11.6-7,9-11@Kingsway Hall, London@(EMI)@Stereo
@(2) NPO. BBCcho. A.ƒM[ƒxƒ‹(S) J.ƒxƒCƒJ[(A) N.ƒQƒbƒ_(T) H.ƒvƒ‰ƒC(Br) F.ƒNƒ‰ƒX(Bs) @67.11.16L@Royal Festival Hall, London
@`‡Ĩ‹ČW
@PO. Cho.@ 61.12.4-9@Kingsway Hall, London@(EMI)@Stereo

@ƒ}ƒ^ƒCŽó“ï‹ČBWV.244
@PO. cho. ƒnƒ“ƒvƒXƒeƒbƒh‹ģ‰ï­”Ncho. P.ƒsƒA[ƒY(T) D.ƒtƒBƒbƒVƒƒ[=ƒfƒB[ƒXƒJƒE(Br) E.ƒVƒ…ƒ”ƒ@ƒ‹ƒcƒRƒbƒv(S) C.ƒ‹[ƒgƒ”ƒBƒq,H.ƒƒbƒc,J.ƒxƒCƒJ[(A) N.ƒQƒbƒ_,W.ƒuƒ‰ƒEƒ“(T) J.C.ƒPƒCƒX,O.ƒNƒ‰ƒEƒX,G.ƒGƒ”ƒ@ƒ“ƒX(Br) W.ƒxƒŠ[(Bs) @60.11.21, 11.25-26, 61.1.3-4, 4.14-16, 5.4-6,8,10-12, 11.28@Abbey Road Studio, London/Kingsway Hall, London@(EMI)@Stereo

@uƒAƒ“ƒiEƒ}ƒOƒ_ƒŒ[ƒiEƒoƒbƒn‚Ė‚―‚ß‚Ė‰đŠy’ v`ƒAƒŠƒAu“ð‚Í‚í‚Š–T‚ɁvBWV.508(Klemperer•Ō:orch)
@(1) LAPO.@ 45.2.11L@(NBC)@Mono
@(2) ƒoƒŠEƒvƒEƒ€ƒWƒJo.@ 46.7.2-7@Apollo Studio, Paris@(Vox)@Mono

@
ƒRƒ‰[ƒ‹u—ˆ‚―‚ęAˆŲ‹ģ“k‚Ė‹~‚ĒŽå‚ævBWV.659(Klemperer•Ō:orch)
@ƒoƒŠEƒvƒEƒ€ƒWƒJo.@ 46.7.2-7@Apollo Studio, Paris@(Vox)@Mono

Bartók

@ƒ”ƒBƒIƒ‰‹Ķ‘t‹ČSz.120

@ACO. W.ƒvƒŠƒ€ƒ[ƒY(va)@51.1.10L@Concertgebouw, Amsterdam@Mono

Beethoven

@Œð‹ŋ‹Č‘æ‚P”Ôƒn’·’ēop.21

@(1) ƒxƒ‹ƒŠƒ“‘—§‰ĖŒ€ęo.@24@(polydor 69760/3)@Mono
@(2) ƒgƒŠƒmRAIso.@56.12.17L@Auditorium RAI, Turin@Mono
@(3) PO.@57.10.28-29@Kingsway Hall, London@(EMI)@Stereo
@(4) PO.@60.7.7L@Musikvereinssaal, Vienna@Mono
@(5) NPO.@70.9.25L@Beethovenhalle, Bonn

@Œð‹ŋ‹Č‘æ‚Q”Ôƒj’·’ēop.36
@(1) PO.@57.10.4,5@Kingsway Hall, London@(EMI)@Stereo
@(2) ƒxƒ‹ƒŠƒ“Rso.@58.3.29L@Hochscule fur Musik, Berlin

@(3) PO.@60.5.29L@Musikvereinssaal, Vienna@Mono

@Œð‹ŋ‹Č‘æ‚R”ԕσz’·’ēop.55u‰p—Yv
@(1) PO.@55.10.5,6,12.17@Kingsway Hall, London@(EMI)@Mono
@(2) ƒfƒ“ƒ}[ƒN‰Ī—§o.@57.4.26L@Tivolis Koncertsal, Copenhagen@Mono
@(3) ƒxƒ‹ƒŠƒ“RIASso.@58.3.29L@Hochschule fur Musik, Berlin
@(4) PO.@59.10.29,11.11-13@Abbey Road Studio, London@(EMI)@Stereo
@(5) PO.@60.5.29L@Musikvereinssaal, Vienna@Mono
@(6) ƒtƒBƒ‰ƒfƒ‹ƒtƒBƒAo.@62.11.19-20L
@(7) VSO.@63.6.16L@Theater an der Wien
@(8) NPO.@70.9.25L@Beethovenhalle, Bonn
@(9) PO.?@-@VHS@?

@Œð‹ŋ‹Č‘æ‚S”ԕ󍒷’ēop.60
@(1) PO.@57.10.21-22@Kingsway Hall, London@(EMI)@Stereo
@(2) PO.@60.5.31L@Musikvereinssaal, Vienna@Mono
@(3) BPO.@66.5.12L@Philharmonie, Berlin@Mono
@(4) ƒoƒCƒGƒ‹ƒ“Rso.@69.5.30L@Herkulessaal, München (EMI)

@Œð‹ŋ‹Č‘æ‚T”Ôƒn’Z’ēop.67
@(1) LAPO.@34.1.1L@Mono
@(2) VSO.@51.4-5@Vienna@(Vox)@Mono
@(3) PO.@55.10.6-7, 12.17@Kingsway Hall, London@(EMI)@Mono
@(4) PO.@59.10.22-24,29@Abbey Road Studio, London@(EMI)@Stereo
@(5) PO.@60.5.31L@Musikvereinssaal, Vienna@Mono
@(6) BPO.@66.5.11or12L@Philharmonie, Berlin@Mono
@(7) VPO.@68.5.25L@Musikvereinssaal, Vienna@Stereo
@(8) ƒoƒCƒGƒ‹ƒ“Rso.@69.5.30L@Herkulessaal, München@(EMI)

@Œð‹ŋ‹Č‘æ‚U”Ôƒw’·’ēop.68u“c‰€v
@(1) VSO.@51.3.19-23@Vienna@(Vox)@Mono
@(2) ƒxƒ‹ƒŠƒ“RIASso.@54.2.15L@Titania Palast, Berlin
@(3) ACO.@57.2.7L@Concertgebouw, Amsterdam
@(4) PO.@57.10.7,8@Kingsway Hall, London@(EMI)
@Stereo
@(5) PO.@60.6.2L@Musikvereinssaal, Vienna@Mono
@(6) BPO.@64.5.31L@Philharmonie,Berlin@Mono
@@`‘æ‚PŠyÍŽßƒŠƒn[ƒTƒ‹
@BPO.@64L@Philharmonie,Berlin@Mono

@Œð‹ŋ‹Č‘æ‚V”ÔƒC’·’ēop.92
@(1) ACO.@51.4.26L@Concertgebouw, Amsterdam@Mono
@(2) –kƒhƒCƒcRso.@55.9.28L@Hamburg@Mono
@(3) PO.@55.10.5,6,12.7@Kingsway Hall, London@(EMI)@Mono/Stereo
@(4) VSO.@56.3.8L@Wiener Konzerthaus, Grosser Saal@Mono
@(5) ACO.@56.5.13L@Concertgebouw, Amsterdam
@(6) SRO.@57.3.6L@Victoria Hall, Geneva
@(7) PO.@60.10.25,11.19,12.3@Kingsway Hall, London@(EMI)@Stereo

@(8) PO.@60.6.2L@Musikvereinssaal, Vienna@Mono
@(9) NPO.@66.2.20L@Royal Festival Hall, London
@(10) NPO.@68.10.12-14@Abbey Road Studio, London@(EMI)@Stereo

@Œð‹ŋ‹Č‘æ‚W”Ôƒw’·’ēop.93
@(1) ƒxƒ‹ƒŠƒ“‘—§‰ĖŒ€ęo.@24@(Polydor 69786/8)@Mono
@(2) ƒxƒ‹ƒŠƒ“‘—§‰ĖŒ€ęo.@26@(Polydor 66460/2)@Mono
@(3) ACO.@56.5.17L@Concertgebouw, Amsterdam

@(4) PO.@57.10.29-30@Kingsway Hall, London@(EMI)@Stereo
@(5) PO.@60.6.4L@Musikvereinssaal, Vienna@Mono

@Œð‹ŋ‹Č‘æ‚X”Ôƒj’Z’ēop.125u‡Ĩv
@(1) ACO. cho. G.ƒuƒƒEƒEƒFƒ“ƒVƒ…ƒ^ƒCƒ“(S) A.ƒwƒ‹ƒƒX(A) E.ƒwƒtƒŠƒK[(T) H.ƒ”ƒBƒ‹ƒuƒŠƒ“ƒN(Bs)@56.5.17L@Concertgebouw, Amsterdam
@(2) PO. cho. A.N=ƒŒƒtƒxƒ‹ƒC(S) C.ƒ‹[ƒgƒ”ƒBƒq(A) W.ƒNƒƒ“ƒg(T) H.ƒzƒbƒ^[(Br) @57.10.30-31,11.21-23@Kingsway Hall, London@(EMI)@Stereo
@(3) PO. cho. A.N=ƒŒƒtƒxƒ‹ƒC(S) C.ƒ‹[ƒgƒ”ƒBƒq(A) W.ƒNƒƒ“ƒg(T) H.ƒzƒbƒ^[(Br)@ 57.11.15L
@(4) PO. ƒEƒB[ƒ“Šy—F‹Ķ‰ïcho. W.ƒŠƒbƒv(S) U.ƒx[ƒ[(A) F.ƒ”ƒ“ƒ_[ƒŠƒq(T) F.ƒNƒ‰ƒX(Bs)@60.6.7L@Musikvereinssaal, Vienna@Mono
@(5) PO. cho. A.ƒM[ƒxƒ‹(S) C.ƒ‹[ƒgƒ”ƒBƒq(Ms) R.ƒ‹ƒCƒX(T) W.ƒxƒŠ[(Br)@61.11.27L@Royal Festival Hall@Mono
@(6) NPO. cho. A.ƒM[ƒxƒ‹(S) M.ƒwƒtƒQƒ“(A) E.ƒwƒtƒŠƒK[(T) G.ƒiƒCƒgƒŠƒ“ƒK[(Br)@64.10.27 LD/VHS

@uƒŒƒIƒm[ƒŒv˜‹Č‘æ‚P”Ôop.138
@(1) PO.@54.11.17@Kingsway Hall, London@(EMI)@Mono
@(2) PO.@63.11.6,7@Kingsway Hall, London@(EMI)@Stereo

@uƒŒƒIƒm[ƒŒv˜‹Č‘æ‚Q”Ôop.72a
@(1) PO.@54.11.18,24@Kingsway Hall, London@(EMI)@Mono
@(2) PO.@63.11.5,6@Kingsway Hall, London@(EMI)@Stereo

@uƒŒƒIƒm[ƒŒv˜‹Č‘æ‚R”Ôop.72a
@(1) ƒxƒ‹ƒŠƒ“‘—§o.@27@(Polydor 66601/3)@Mono
@(2) ƒfƒ“ƒ}[ƒN‰Ī—§o.@54.1.28L@Tivolis Koncertsal, Copenhagen@Mono
@(3) PO.@54.11.18@Kingsway Hall, London@(EMI)@Mono
@(4) PO.@63.11.4,5@Kingsway Hall, London@(EMI)@Stereo
@(5) ƒPƒ‹ƒ“Rso.@66.3.17@Grosser Sendesaal, Köln
@(6) BPO.@66.5.12L@Philharmonie, Berlin

@ƒoƒŒƒGuƒvƒƒƒeƒEƒX‚Ė‘n‘Ē•Ļvop.43`˜‹Č
@(1) PO.@57.11.25@Kingsway Hall, London@(EMI)@Stereo
@(2) PO.@60.6.2L@Musikvereinssaal, Vienna@Mono
@(3) NPO.@69.10.18@Abbey Road Studio, London@(EMI)@Stereo
@`ƒAƒ_[ƒWƒ‡|ƒAƒ“ƒ_ƒ“ƒe
@NPO.@69.10.18@Abbey Road Studio, London@(EMI)@Stereo
@`ƒtƒBƒi[ƒŒ
@NPO.@69.10.18@Abbey Road Studio, London@(EMI)@Stereo

@Œ€‰đŠyuƒGƒOƒ‚ƒ“ƒgvop.84`˜‹Č
@(1) ƒxƒ‹ƒŠƒ“‘—§‰ĖŒ€ęo.@26@(Polydor 66600)@Mono
@(2) PO.@57.10.21@Kingsway Hall, London@(EMI)@Stereo

@(3) PO.@60.5.31L@Musikvereinssaal, Vienna@Mono
@(4) ƒtƒBƒ‰ƒfƒ‹ƒtƒBƒAo.@62.11.26-27L
@`ƒNƒŒ[ƒ‹ƒqƒFƒ“‚Ė‰Ė
@PO. B.ƒjƒ‹ƒ\ƒ“(S)@57.11.21,25@Kingsway Hall, London@(EMI)@Stereo
@`ƒNƒŒ[ƒ‹ƒqƒFƒ“‚ĖŽ€
@PO.@57.10.21,25@Kingsway Hall, London@(EMI)@Stereo
@`‘ūŒÛ‚Í‹ŋ‚­
@PO. B.ƒjƒ‹ƒ\ƒ“(S)@57.11.21,25@Kingsway Hall, London@(EMI)@Stereo

@Œ€‰đŠyuƒVƒ…ƒeƒtƒ@ƒ“‰Īvop.117`˜‹Č
@PO.@59.10.29@Abbey Road Studio, London@(EMI)@Stereo

@˜‹ČuƒRƒŠƒIƒ‰ƒ“vop.62
@(1) ƒxƒ‹ƒŠƒ“‘—§‰ĖŒ€ęo.@27@Berlin@(Polydor 66599)@Mono
@(2) PO.@57.10.21@Kingsway Hall, London@(EMI)@Stereo
@(3) PO.@60.6.4L@Musikvereinssaal, Vienna@Mono
@(4) VSO.@63.6.16L@Theater an der Wien
@(5) ƒoƒCƒGƒ‹ƒ“Rso.@69.5.29L@Herkulessaal, München

@˜‹ČuŒĢ“°ŽŪvop.124
@(1) PO.@56.7.21,25@Kingsway Hall, London@(EMI)@Stereo
@(2) PO.@58.8.24L@Usher Hall, Edinburgh
@(3) PO.@59.10.28@Abbey Road Studio, London@(EMI)@Stereo

@(4) PO.@60.5.29L@Musikvereinssaal, Vienna@Mono

@ƒsƒAƒm‹Ķ‘t‹Č‘æ‚P”Ôƒn’·’ēop.15
@NPO. D.ƒoƒŒƒ“ƒ{ƒCƒ€(pf)@67.10.11,14,28, 11.4@Abbey Road Studio, London@(EMI)@Stereo

@ƒsƒAƒm‹Ķ‘t‹Č‘æ‚Q”ԕ󍒷’ēop.19
@NPO. D.ƒoƒŒƒ“ƒ{ƒCƒ€(pf)@67.11.3-4@Abbey Road Studio, London@(EMI)@Stereo

@ƒsƒAƒm‹Ķ‘t‹Č‘æ‚R”Ôƒn’Z’ēop.37
@(1) PO.@C.ƒAƒ‰ƒE(pf)@57.10.24L@Royal Festival Hall@Mono
@(2) NPO. D.ƒoƒŒƒ“ƒ{ƒCƒ€(pf)@67.10.10-11,14@Abbey Road Studio, London@(EMI)@Stereo

@ƒsƒAƒm‹Ķ‘t‹Č‘æ‚S”Ôƒg’·’ēop.58
@(1) VSO. G.ƒmƒ”ƒ@ƒGƒX(pf)@50'@Vienna@(Vox)@Mono
@(2) ƒPƒ‹ƒ“Rso. L.ƒtƒ‰ƒCƒVƒƒ[(pf)@56.2.27L@Grosser Sendesaal, Köln
@(3) PO.@C.ƒAƒ‰ƒE(pf)@57.11.3L@Royal Festival Hall@Mono

@(4) NPO. D.ƒoƒŒƒ“ƒ{ƒCƒ€(pf)@67.10.9-10@Abbey Road Studio, London@(EMI)@Stereo

@ƒsƒAƒm‹Ķ‘t‹Č‘æ‚T”ԕσz’·’ēop.73uc’év
@(1) PO.@C.ƒAƒ‰ƒE(pf)@57.11.8L@Royal Festival Hall@Mono
@(2) NPO. D.ƒoƒŒƒ“ƒ{ƒCƒ€(pf)@67.10.4-5,9@Abbey Road Studio, London@(EMI)@Stereo

@ƒ”ƒ@ƒCƒIƒŠƒ“‹Ķ‘t‹Čƒj’·’ēop.61
@(1) PO. H.ƒVƒFƒŠƒ“ƒO(vn)@59.11.16L@Royal Festival Hall@Mono
@(2) NPO. Y.ƒƒjƒ…[ƒCƒ“(vn)(C=Kreisler)@66.1.21-22,24-25@Kingsway Hall, London@(EMI)@Stereo

@‘åƒt[ƒK•Ïƒ’·’ēop.133(Œ·Šy‡‘t”Å)
@(1) PO.@56.3.26-27@Abbey Road Studio, London@(EMI)@Stereo
@(2) NPO.@66.2.20L@Royal Festival Hall, London

@‰ĖŒ€uƒtƒBƒfƒŠƒIvop.72
@(1) ƒRƒ”ƒFƒ“ƒgƒK[ƒfƒ“‰Ī—§‰ĖŒ€ęo. cho. J.ƒ”ƒBƒbƒJ[ƒY(T) S.ƒ†ƒŠƒiƒbƒ`(Ms) H.ƒzƒbƒ^[(Br) G.ƒtƒŠƒbƒN(Bs) F.ƒƒrƒ“ƒ\ƒ“(Bs) E.ƒ‚ƒŠƒ\ƒ“(S) J.ƒhƒuƒ\ƒ“(T)@61.2.24L@Covent Gerden, London@(BBC)@Mono
@(2) ƒRƒ”ƒFƒ“ƒgƒK[ƒfƒ“‰Ī—§‰ĖŒ€ęo. cho. J.ƒ”ƒBƒbƒJ[ƒY(T) S.ƒ†ƒŠƒiƒbƒ`(Ms) H.ƒzƒbƒ^[(Br) G.ƒtƒŠƒbƒN(Bs) F.ƒƒrƒ“ƒ\ƒ“(Bs) E.ƒ‚ƒŠƒ\ƒ“(S) J.ƒhƒuƒ\ƒ“(T)@61.3.7L@Covent Gerden, London@(BBC)
@(3) PO. cho. J.ƒ”ƒBƒbƒJ[ƒY(T) C.ƒ‹[ƒgƒ”ƒBƒq(Ms) W.ƒxƒŠ[(Br) G.ƒtƒŠƒbƒN(Bs) F.ƒNƒ‰ƒX(Bs) I.ƒnƒ‹ƒVƒ…ƒ^ƒCƒ“(S) G.ƒEƒ“ƒK[(T)@62.1.2,6-10,12-15,17,19@Abbey Road Studio, London@(EMI)@Stereo

@
`”ēˆ
@ƒnƒ“ƒKƒŠ[‘—§‰ĖŒ€ęo. cho.@E.ƒŒƒXƒŒƒ‹(T) A.ƒo[ƒeƒB(S) O.ƒ}ƒŒƒcƒL(Br) M.ƒZ[ƒPƒC(Bs) I.ƒRƒ\[(Bs) M.ƒ}[ƒ`ƒƒ[ƒVƒ…(S) G.A.ƒiƒW(T)@48.11.8L@Hungarian State Opera@(Hun)@Mono
@`˜‹Čop.72b
@(1) PO.@54.11.17@Kingsway Hall, London@(EMI)@Mono
@(2) PO.@62.2.6-10,12-15,17,19@Kingsway Hall, London@(EMI)@Stereo

@ƒ~ƒTEƒ\ƒŒƒ€ƒjƒX@ƒj’·’ēop.123
@(1) VSO. ƒEƒB[ƒ“EƒAƒJƒfƒ~[cho. I.ƒVƒ…ƒ^ƒCƒ“ƒOƒ‹[ƒo[(S) E.ƒVƒ…ƒ‹ƒzƒt(A) E.ƒ}ƒCƒN[ƒg(T) O.ƒ”ƒB[ƒi[(Bs)@51.3.18-21@Vienna@(Vox)@Mono
@(2) ƒPƒ‹ƒ“Rso. cho.&ƒnƒ“ƒuƒ‹ƒNRcho. A.ƒNƒbƒp[(S) S.ƒ[ƒOƒi[(A) R.ƒVƒ‡ƒbƒN(T) J.ƒOƒ‰ƒCƒ“ƒhƒ‹(Bs)@55.6.6L@Grosser Sendeaal, Koln
@(3) PO. cho. E.ƒ[[ƒ_[ƒVƒ…ƒgƒŒ[ƒ€(S) M.ƒwƒtƒQƒ“(A) E.ƒwƒtƒŠƒK[(T) G.ƒtƒŠƒbƒN(Bs)@63.10.28L@Royal Festival Hall, London@(BBC)@Mono
@(4) NPO. cho. E.ƒ[[ƒ_[ƒVƒ…ƒgƒŒ[ƒ€(S) M.ƒwƒtƒQƒ“(A) W.ƒNƒƒ“ƒg(T) M.ƒ^ƒ‹ƒ”ƒFƒ‰(Bs)@65.9.30,10.1,4-8,11-13@Kingsway Hall, London@(EMI)@Stereo

@ƒAƒŠƒAu‚Ļ‚ĻA•sŽĀ‚ČŽŌ‚ævop.65
@ACO. G.ƒuƒƒEƒEƒFƒ“ƒVƒ…ƒ^ƒCƒ“(S)@51.4.26L@Concertgebouw, Amsterdam@Mono

@‡ĨŒķ‘z‹Čƒn’Z’ēop.80
@NPO. J.ƒI[ƒ‹ƒfƒBƒXcho. D.ƒoƒŒƒ“ƒ{ƒCƒ€(pf)@67.11.3,4@Abbey Road Studio, London@(EMI)@Stereo

Berlioz

@Œķ‘zŒð‹ŋ‹Čop.14

@(1) PO.@63.4.23-26,9.17@Kingsway Hall, London@(EMI)@Stereo
@(2) NPO.@66.1.30L@Royal Festival Hall, London

@‰ĖŒ€uƒxƒ“ƒ”ƒFƒk[ƒgEƒ`ƒFƒ‹ƒŠ[ƒjvop.23`˜‹Č
@LAPO.@38.1.1L@Paramount Studio, Hollywood@Mono

Brahms

@Œð‹ŋ‹Č‘æ‚P”Ôƒn’Z’ēop.68@

@(1) ƒxƒ‹ƒŠƒ“‘—§‰ĖŒ€ęo.@28.2.3@(Parlophon P9812/3,9818,9838/40)@Mono
@(2) ƒPƒ‹ƒ“Rso.@55.10.17L@Grosser Sendesaal, Köln@Mono
@(3) PO.@56.10.29,31,11.1,57.3.28@Kingsway Hall, London@(EMI)@Stereo

@Œð‹ŋ‹Č‘æ‚Q”Ôƒj’·’ēop.73
@(1) PO.@56.10.29,30@Kingsway Hall, London@(EMI)@Stereo
@(2) ƒxƒ‹ƒŠƒ“RIASso.@57.1.21L@Hochschule fur Musik, Berlin@Mono

@Œð‹ŋ‹Č‘æ‚R”Ôƒw’·’ēop.90
@(1) VSO.@56.3.8L@Wiener Konzerthaus, Grosser Saal@Mono
@(2) PO.@57.3.26,27@Kingsway Hall, London@(EMI)@Stereo


@Œð‹ŋ‹Č‘æ‚S”Ôƒz’Z’ēop.98
@(1) ƒfƒ“ƒ}[ƒN‰Ī—§o.@54.1.28L@Tivolis Koncertsal, Copenhagen@Mono
@(2) PO.@57.3.27-29@Kingsway Hall, London@(EMI)@Stereo

@(3) ƒoƒCƒGƒ‹ƒ“Rso.@57.9.27L@Herkules Saal, Munich@Mono
@(4) ƒXƒgƒbƒNƒzƒ‹ƒ€po.@58.4.16L@Mono

@ƒnƒCƒhƒ“‚ĖŽå‘č‚É‚æ‚é•Ï‘t‹Čop.56a
@(1) PO.@54.10.9@Kingsway Hall, London@(EMI)@Mono
@(2) ACO.@57.2.6L@Concertgebouw, Amsterdam@Mono

@‘åŠwj“T˜‹Čop.80
@(1) ƒxƒ‹ƒŠƒ“‘—§‰ĖŒ€ęo.@27.6.23@(Electrola EJ152/3)@Mono
@(2) PO.@57.3.29@Kingsway Hall, London@(EMI)@Stereo

@”ߌ€“I˜‹Čop.81
@PO.@57.3.29@Kingsway Hall, London@(EMI)@Stereo

@ƒsƒAƒm‹Ķ‘t‹Č‘æ‚Q”ԕ󍒷’ēop.83
@(1) ƒPƒ‹ƒ“Rso. G.ƒAƒ“ƒ_(pf)@54.4.5L@Mono
@(2) NPO.@V.ƒAƒVƒ…ƒPƒi[ƒW(pf)@69.1.28L@Royal Festival Hall, London@Mono

@ƒ”ƒ@ƒCƒIƒŠƒ“‹Ķ‘t‹Čƒj’·’ēop.77
@ƒtƒ‰ƒ“ƒX‘—§o. D.ƒIƒCƒXƒgƒ‰ƒt(vn)(C=Joachim)@60.6.17-19@Salle Wagram, Paris@(EMI)@Stereo

@ƒsƒAƒmŽld‘t‹Č‘æ‚P”Ôƒg’Z’ēop.25(Schönberg•Ō:orch)@
@LAPO.@38.5.7L@Philharmonic Auditorium, Los Angeles@Mono

@ƒhƒCƒcEƒŒƒNƒCƒGƒ€op.45
@(1) ƒPƒ‹ƒ“Rso. cho. E.ƒOƒŠƒ…ƒ“ƒ}[(S) H.ƒvƒ‰ƒC(Br)@56.2.20L@Grosser Sendesaal, Köln
@(2) VPO.ƒEƒB[ƒ“Šy—F‹Ķ‰ïcho. W.ƒŠƒbƒv(S) E.ƒ”ƒFƒqƒ^[(Bs)@58.6.15L@Musikvereinssaal, Vienna

@(3) PO. cho. E.ƒVƒ…ƒ”ƒ@ƒ‹ƒcƒRƒbƒv(S) D.ƒtƒBƒbƒVƒƒ[=ƒfƒB[ƒXƒJƒE(Br)@61.1.2&3.21,23,25&4.26@Kingsway Hall, London@(EMI)@Stereo

@ƒAƒ‹ƒgEƒ‰ƒvƒ\ƒfƒBop.53
@PO. cho. C.ƒ‹[ƒgƒ”ƒBƒq(Ms)@62.3.21,23@Kingsway Hall, London@(EMI)@Stereo

Bruckner

@Œð‹ŋ‹Č‘æ‚S”ԕσz’·’ēuƒƒ}ƒ“ƒeƒBƒbƒNv

@(1) ACO.@47.12.3,4L@Concertgebouw, Amsterdam@Mono
@(2) VSO.@51.3.19-23@Vienna@(Vox)@Mono
@(3) ƒPƒ‹ƒ“Rso.@54.4.5L@Grosser Sendesaal, Köln
@(4) PO.@63.9.18-20,24,25@Kingsway Hall, London@(EMI)@Stereo
@(5) ƒoƒCƒGƒ‹ƒ“Rso.@66.4.1L@Herkules Saal, Munich


@Œð‹ŋ‹Č‘æ‚T”ԕ󍒷’ē
@(1) NPO.@67.3.9-11,14,15@Kingsway Hall, London@(EMI)@Stereo
@(2) VPO.@68.6.2L@Musikvereinssaal, Vienna@Stereo

@Œð‹ŋ‹Č‘æ‚U”ÔƒC’·’ē
@(1) BBCso.@61.1.12L@BBC Maida Vale Studios, London@Mono
@(2) ACO.@61.6.22L@Concertgebouw, Amsterdam

@(3) NPO.@64.11.6,10-12,16-19@Kingsway Hall, London@(EMI)@Stereo

@Œð‹ŋ‹Č‘æ‚V”Ôƒz’·’ē
@(1) ƒoƒCƒGƒ‹ƒ“Rso.@56.4.12L@Herkules Saal, Munich
@(2) BPO.@58.9.3L@Kunsthaus, Lucerne, Switzerland
@(3) PO.@60.11.1-5@Kingsway Hall, London@(EMI)@Stereo
@(4) –kƒhƒCƒcRso.@66.5.3L@Hamburg@Mono

@Œð‹ŋ‹Č‘æ‚W”Ôƒn’Z’ē
@(1) ƒPƒ‹ƒ“Rso.@57.6.7L@Grosser Sendesaal, Koln
@(2) NPO.@70.10.29-30,11.2-4,10,11,14@Kingsway Hall, London@(EMI)@Stereo
@
`ƒAƒ_[ƒWƒ‡
@ƒxƒ‹ƒŠƒ“‘—§‰ĖŒ€ęo.@24@(Polydor 69764/7)@Mono

@Œð‹ŋ‹Č‘æ‚X”Ôƒj’Z’ē
@(1) NYP.@34.10.14L@(NYP)@Mono
@(2) NPO.@70.2.7,18-21@Kingsway Hall, London@(EMI)@Stereo


@
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@BBCso. cho. H.ƒn[ƒp[(S) J.ƒxƒCƒJ[(Ms) R.ƒ‹ƒCƒX(T) M.ƒmƒ”ƒ@ƒRƒtƒXƒL[(Bs)@61.1.12L@BBC Maida Vale Studios, London@Mono

Cherubini

@‰ĖŒ€uƒAƒiƒNƒŒƒIƒ“v`˜‹Č

@PO.@60.9.28@Kingsway Hall, London@(EMI)@Stereo

Chopin

@ƒsƒAƒm‹Ķ‘t‹Č‘æ‚P”Ôƒz’Z’ēop.11

@ƒPƒ‹ƒ“Rso. C.ƒAƒ‰ƒE(pf)@54.10.25L@Grosser Sendesaal, Koln@Mono

@ƒsƒAƒm‹Ķ‘t‹Č‘æ‚Q”Ôƒw’Z’ēop.21
@VSO. G.ƒmƒ”ƒ@ƒGƒX(pf)@50'@Vienna@(Vox)@Mono

Corelli

@ƒ”ƒ@ƒCƒIƒŠƒ“‚Æ’Ę‘t’á‰đ‚Ė‚―‚ß‚Ėƒ\ƒiƒ^op.5`‘æ12”Ôƒj’Z’ēuƒ‰EƒtƒHƒŠƒAv

@LAPO. J.ƒVƒQƒeƒB(vn)@45.12.16L@Mono

Debussy

@–q_‚ĖŒßŒã‚Ö‚Ė‘O‘t‹Č

@LAPO. A.ƒŠƒ“ƒfƒ“(fl)@38.1.1L@Paramount Studio, Hollywood@Mono

@–é‘z‹Č`‰_CÕ‚č
@ƒxƒ‹ƒŠƒ“‘—§‰ĖŒ€ęo.@26@(Polydor 66464/5)@Mono

Dvorák

@Œð‹ŋ‹Č‘æ‚X”Ôƒz’Z’ēop.95uVĒŠE‚æ‚čv

@PO.@63.10.30-11.2@Kingsway Hall, London@(EMI)@Stereo

Falla

@Œð‹ŋ“IˆóÛuƒXƒyƒCƒ“‚Ė’ë‚Ė–év

@ACO. W.ƒAƒ“ƒhƒŠ[ƒZƒ“(pf)@51.3.29L@Concertgebouw, Amsterdam@Mono

Franck

@Œð‹ŋ‹Čƒj’Z’ē

@NPO.@66.2.10-12,14,15@Abbey Road Studio, London@(EMI)@Stereo

German

@uŽ„‚ĖŠÃ‚Ēƒ‰ƒ”ƒFƒ“ƒ_[‚𔃂Ī‚Ė‚Í’Nv

@LAPO.@L.ƒ{[ƒŠ(S)@37.6.6L@Hollywood Bowl@Mono

Gershwin

@‘O‘t‹Č‘æ‚Q”Ô‰dƒn’Z’ē(D.Broekman•Ō)

@LAPO.@37.8.8L@Hollywood Bowl@Mono

Gluck

@‰ĖŒ€uƒI[ƒŠ[ƒh‚ĖƒCƒtƒBƒWƒFƒj[v`˜‹ČiWagner•Ōj

@(1) PO.@60.9.29@Kingsway Hall, London@(EMI)@Stereo@?
@(2) PO.@63.2.18&5.14,18@(EMI)@Stereo “Ŋã

Gounod

@‰ĖŒ€uƒtƒ@ƒEƒXƒgv`‚ą‚Ėī‚į‚Đ‚ČZ‚Ü‚Ē

@LAPO. G.ƒxƒ“ƒgƒlƒbƒŠ(T)@37.6.6L@Hollywood Bowl@Mono

Händel

@‡‘t‹Ķ‘t‹Čop.6`‘æ‚S”ÔƒC’Z’ēHWV.322

@PO.@56.3.28,7.26@Abbey Road Studio@(EMI)@Stereo

@
ƒIƒ‰ƒgƒŠƒIuƒƒTƒCƒAvHWV.56
@PO. cho. E.ƒVƒ…ƒ”ƒ@ƒ‹ƒcƒRƒbƒv(S) G.ƒzƒtƒ}ƒ“(A) N.ƒQƒbƒ_(T) J.ƒnƒCƒ“ƒY(Bs)@64.2.24-25,3.9-14,16-19,9.20-22,28-29,10.1-2,8-9,11.2-3-11@Kingsway Hall, London@(EMI)@Stereo

Haydn

@Œð‹ŋ‹Č‘æ‚W‚W”Ôƒg’·’ēu‚uŽšv

@NPO.@64.10.12-14@Abbey Road Studio, London@(EMI)@Stereo

@Œð‹ŋ‹Č‘æ‚X‚Q”Ôƒg’·’ēuƒIƒbƒNƒXƒtƒH[ƒhv
@NPO.@71.9.18-19@Abbey Road Studio, London@(EMI)@Stereo

@Œð‹ŋ‹Č‘æ‚X‚T”Ôƒn’Z’ē
@NPO.@70.2.9-10@Abbey Road Studio, London@(EMI)@Stereo

@Œð‹ŋ‹Č‘æ‚X‚W”ԕ󍒷’ē
@PO.@60.1.19-21@Abbey Road Studio, London@(EMI)@Stereo

@Œð‹ŋ‹Č‘æ‚P‚O‚O”Ôƒg’·’ēuŒR‘āv
@NPO.@65.10.20-21@Abbey Road Studio, London@(EMI)@Stereo

@Œð‹ŋ‹Č‘æ‚P‚O‚P”Ôƒj’·’ēuŽžŒvv
@(1) ƒoƒCƒGƒ‹ƒ“Rso.@56.10.19L@Herkules Saal, Munich
@(2) ƒgƒŠƒmRAIso.@56.12.21L@Auditorium RAI, Turin@Mono
@(3) PO.@60.1.18-19@Abbey Road Studio, London@(EMI)@Stereo

@Œð‹ŋ‹Č‘æ‚P‚O‚Q”ԕ󍒷’ē
@NPO.@65.9.25-26,10.19@Abbey Road Studio, London@(EMI)@Stereo

@Œð‹ŋ‹Č‘æ‚P‚O‚S”Ôƒj’·’ēuƒƒ“ƒhƒ“v
@NPO.@64.10.14-16@Abbey Road Studio, London@(EMI)@Stereo

Hindemith

@‘g‹Ču‹C‚‚ŦŒķ‘zv

@PO.@54.10.7-8@Kingsway Hall, London@(EMI)@Mono

@
ƒIƒ‰ƒgƒŠƒIu–ģŒĀ‚Č‚é‚ā‚Ėv`”ēˆ
@Berliner Funkorchester cho. Philharmonischer Chor Berlin, Knabenchor des Staats- und Domchors Berlin A.ƒAƒ‹ƒ€ƒzƒ‹ƒg(S) C.ƒNƒ‹ƒ}ƒ“(T) J.ƒEƒBƒŠ[(Br)@32.5.1,13@Funkhaus Masurenallee Saal, Berlin@Mono

Humperdinck

@‰ĖŒ€uƒwƒ“ƒ[ƒ‹‚ƃOƒŒ[ƒeƒ‹v`‘O‘t‹Č^–ē‚Ėƒpƒ“ƒgƒ}ƒCƒ€

@PO.@60.9.27-29@Kingsway Hall, London@(EMI)@Stereo

Janacek

@ƒVƒ“ƒtƒHƒjƒGƒbƒ^

@(1) ACO.@51.1.10L@Concertgebouw, Amsterdam@Mono
@(2) WDRso.@56.2.27@Klaus-von-Bismarck-Saal, WDR, Koln

Klemperer

@Œð‹ŋ‹Č‘æ‚P”Ô

@ACO.@61.6.22L@Concertgebouw, Amsterdam@Mono

@Œð‹ŋ‹Č‘æ‚Q”Ô
@NPO.@69.11.3@Abbey Road Studio, London@(EMI)@Stereo

@‰ĖŒ€uƒS[ƒ‹v`ƒƒŠ[Eƒƒ‹ƒc
@PO.@61.10.30@Kingsway Hall, London@(EMI)@Stereo

Liszt

@ƒsƒAƒm‹Ķ‘t‹Č‘æ‚P”ԕσz’·’ēS.124

@PO. A.ƒtƒBƒbƒVƒƒ[(pf)@60.5.24,62.5.10,30@Abbey Road Studio, London@(EMI)@Stereo

@Ž€‚Ė•‘“ĨS.126
@LAPO. B.ƒZƒK[ƒ‹(pf)@45.2.11L@Mono

Mahler

@Œð‹ŋ‹Č‘æ‚Q”Ôƒn’Z’ēu•œŠˆv
@
@(1) ƒVƒhƒj[so. ƒn[ƒ‹ƒXƒg[ƒ“EƒRƒ‰[ƒ‹Eƒ\ƒTƒGƒeƒB V.ƒoƒOƒiƒ‹(S) F.ƒe[ƒ‰[(A)@50.9.23 or 25L@Town Hall, Sedney@Mono
@(2) VSO. ƒAƒJƒfƒ~[cho. I.ƒVƒ…ƒ^ƒCƒ“ƒOƒ‹[ƒo[(S) H.ƒŒƒbƒXƒ‹=ƒ}ƒCƒ_ƒ“(A)@51@(Vox)@Mono

@(3) ACO. cho. J.ƒ”ƒBƒ“ƒZƒ“ƒg(S) K.ƒtƒFƒŠƒA[(Ms)@51.7.12L@Concertgebouw, Amsterdam@Mono
@(4) PO. cho. E.ƒVƒ…ƒ”ƒ@ƒ‹ƒcƒRƒbƒv(S) H.ƒŒƒbƒXƒ‹=ƒ}ƒCƒ_ƒ“(Ms)@61.11.22-24/62.3.15,24@Kingsway Hall, London@(EMI)@Stereo
@(5) VPO. cho. G.ƒ”ƒBƒVƒlƒtƒXƒJƒ„(S) H.ƒŒƒbƒXƒ‹=ƒ}ƒCƒ_ƒ“(A)@63.6.13L@Vienna@Mono
@(6) PO. cho. H.ƒn[ƒp[(S) J.ƒxƒCƒJ[(A)@63.12.19L@Royal Festival Hall, London@Stereo
@(7) ƒoƒCƒGƒ‹ƒ“Rso. cho. H.ƒn[ƒp[(S) J.ƒxƒCƒJ[(A)@65.1.29L@Herkules Saal, Munich@Stereo
@(8) NPO. cho. A.ƒtƒBƒ“ƒŒƒC(S) A.ƒzƒWƒ\ƒ“(A)@71.5.16L@Royal Festival Hall, London@Mono

@Œð‹ŋ‹Č‘æ‚S”Ôƒg’·’ē@
@(1) ƒPƒ‹ƒ“Rso. E.ƒgƒŒƒbƒVƒFƒ‹(S)@54.2.21L@Köln@Mono
@(2) ACO. M.ƒVƒ…ƒ^[ƒ_[(S)@55.11.10L@Mono
@(3) ƒxƒ‹ƒŠƒ“RIASso. E.ƒgƒŒƒbƒVƒFƒ‹(S)@56.2.13L@Hochschule fur Musik, Berlin@Mono
@(4) ƒoƒCƒGƒ‹ƒ“Rso. E.ƒŠƒ“ƒ_[ƒ}ƒCƒ„[(S)@56.10.19L@Herkules Saal, Munich@Mono

@(5) PO. E.ƒVƒ…ƒ”ƒ@ƒ‹ƒcƒRƒbƒv(S)@61.4.6-7,10,25@Kingsway Hall, London@(EMI)@Stereo

@Œð‹ŋ‹Č‘æ‚V”Ôƒz’Z’ēu–é‚Ė‰Ėv@
@NPO.@68.9.19-21,24-28@Kingsway Hall, London@(EMI)@Stereo

@Œð‹ŋ‹Č‘æ‚X”Ôƒj’·’ē@
@(1) NPO.@67.2.15-18,21-24@Kingsway Hall, London@(EMI)@Stereo
@(2) VPO.@68.6.9L@Musikvereinssaal, Vienna@Stereo
@(3) NPO.@68.8.30L@Usher Hall, Edinburgh@Mono

@‘å’n‚Ė‰Ė@
@(1) VSO. E.ƒJƒ”ƒFƒ‹ƒeƒB(Ms) A.ƒfƒ‹ƒ‚[ƒ^(T)@51.3.28-30@Vienna@(Vox)@Mono
@(2) PO.,NPO. C.ƒ‹[ƒgƒ”ƒBƒq(Ms) F.ƒ”ƒ“ƒ_[ƒŠƒq(T)@64.2.19-22/66.7.6-9@Kingsway Hall, London/Abbey Road Studio, London@(EMI)@Stereo

@ƒŠƒ…ƒbƒPƒ‹ƒg‚É‚æ‚é‚T‚‚ĖŽ@
@`2.Ž„‚͉õ‚Ē‚č‚ð‹z‚Ē‚ą‚ņ‚ū

@PO. C.ƒ‹[ƒgƒ”ƒBƒq(Ms)@64.2.17-19@Kingsway Hall, London@(EMI)@Stereo
@`3.Ž„‚Í‚ą‚ĖĒ‚É–Y‚ę‚į‚ę
@PO. C.ƒ‹[ƒgƒ”ƒBƒq(Ms)@64.2.17-19@Kingsway Hall, London@(EMI)@Stereo
@`4.^–é’†‚É
@PO. C.ƒ‹[ƒgƒ”ƒBƒq(Ms)@64.2.17-19@Kingsway Hall, London@(EMI)@Stereo

@‰Ė‹ČWuŽq‹Ÿ‚Ė•sŽv‹c‚ČŠp“Jv@
@` 5.•‚‚ŦĒ‚ĖķŠˆ

@PO. C.ƒ‹[ƒgƒ”ƒBƒq(Ms)@64.2.17-19@Kingsway Hall, London@(EMI)@Stereo
@` 9.ƒgƒ‰ƒ“ƒyƒbƒg‚Š”ü‚ĩ‚­–‚č‹ŋ‚­Š
@PO. C.ƒ‹[ƒgƒ”ƒBƒq(Ms)@64.2.17-19@Kingsway Hall, London@(EMI)@Stereo

@
‚ģ‚·‚į‚ĪŽál‚Ė‰Ė@
@ACO. H.ƒVƒƒƒC(Br)@47.12.3or4@Concertgebouw, Amsterdam@Mono

@‰Ė‹ČWu–S‚ŦŽ™‚ð‚ĩ‚Ė‚Ô‰Ėv@
@(1) ACO. K.ƒtƒFƒŠƒA[(A)@51.7.12L@Concertgebouw, Amsterdam@(Holland Festival)@Mono
@(2) žƒhƒCƒcRso. G.ƒƒ“ƒhƒ“(Br)@55.10.17L Grosser Sendesaal, Köln@Mono

Massenet

@‰ĖŒ€uƒ}ƒmƒ“v`uŒÄ‚Ԑš‚Š‚ĩ‚―‚įs‚Ŧ‚Ü‚ĩ‚å‚Īv
@
@LAPO. L.ƒ{[ƒŠ(S)
@37.6.6L@Hollywood Bowl@Mono

Mendelssohn

@Œð‹ŋ‹Č‘æ‚R”ÔƒC’Z’ēop.56uƒXƒRƒbƒgƒ‰ƒ“ƒhv@

@(1) VSO.@51@Vienna@(Vox)@Mono
@(2) PO.@60.1.22,25,27,28@Abbey Road Studio, London@(EMI)@Stereo

@(3) ƒoƒCƒGƒ‹ƒ“Rso.@69.5.23L@Herkulessaal, München@Stereo

@Œð‹ŋ‹Č‘æ‚S”ÔƒC’·’ēop.90uƒCƒ^ƒŠƒAv@
@(1) VSO.@51@Vienna@(Vox)@Mono
@(2) PO.@60.2.15,17,18@Abbey Road Studio, London@(EMI)@Stereo

@Œ€‰đŠyu^‰Ä‚Ė–é‚Ė–ēvop.61@
@
(1) ƒPƒ‹ƒ“Rso. cho. K.ƒW[ƒo[ƒ}ƒ“(S) H.ƒ‹[ƒgƒ”ƒBƒq(Ms)@55.6.8-11L@Köln@Stereo
@(2) PO. cho. H.ƒn[ƒp[(S) J.ƒxƒCƒJ[(A)@60.1.28,29,2.16,18@Abbey Road Studio, London@(EMI)@Stereo

@(3) ƒoƒCƒGƒ‹ƒ“Rso. cho. E.ƒ}ƒeƒBƒX(S) B.ƒtƒ@ƒXƒxƒ“ƒ_[(Ms)@69.5.23L@Herkulessaal, München@Stereo

@˜‹Ču^‰Ä‚Ė–é‚Ė–ēvop.21@
@(1) ƒxƒ‹ƒŠƒ“‘—§‰ĖŒ€ęo.@27@(Polydor 66602/3)@Mono
@(2) ACO.@55.11.3L
@Concertgebouw, Amsterdam@Mono

@˜‹ČuƒtƒBƒ“ƒKƒ‹‚Ė“īŒAvop.26@
@(1) ACO.@57.2.21L@Concertgebouw, Amsterdam@Mono
@(2) PO.@60.2.15@Abbey Road Studio, London@(EMI)@Stereo
@(3) ƒoƒCƒGƒ‹ƒ“Rso.@69.5.23L@Herkulessaal, München@Stereo

@ƒ”ƒ@ƒCƒIƒŠƒ“‹Ķ‘t‹Čƒz’Z’ēop.64@
@ƒn[ƒOEƒŒƒWƒfƒ“ƒeƒBo. J.ƒ}ƒ‹ƒcƒB(vn)@54.6.23L@Kurhaus, Hague@Mono

Mozart

@Œð‹ŋ‹Č‘æ‚Q‚T”Ôƒg’Z’ēK.183(173dB)@

@(1) ƒpƒŠEƒvƒEƒ€ƒWƒJo.@50.2@Salle Pleyel, Paris@(Vox)@Mono
@(2) ƒxƒ‹ƒŠƒ“RIASso.@50.12.20@Jesus Christus-Kirche, Berlin@Mono

@(3) ACO.@51.1.18L@Concertgebouw, Amsterdam@Mono
@(4) PO.@56.7.19,21-24@Kingsway Hall, London@(EMI)@Stereo

@Œð‹ŋ‹Č‘æ‚Q‚X”ÔƒC’·’ēK.201(186a)@
@(1) ƒxƒ‹ƒŠƒ“RIASso.@50.12.20@Jesus Christus-Kirche, Berlin@Mono
@(2) ƒfƒ“ƒ}[ƒN‰Ī—§o.@54.1.28(29?)L@Odd Fellow Palaeets Store, Copenhagen@Mono
@(3) PO.@54.10.8-9@Kingsway Hall, London@(EMI)@Mono

@(4) –kƒhƒCƒcRso.@55.9.28L@Hamburg@Mono
@(5) PO.@63.12.19L@Royal Festival Hall, London@Stereo
@(6) BPO.@64.5.31L@Philharmonie,Berlin@Mono

@(7) NPO.@65.9.21-29@Abbey Road Studio, London@(EMI)@Stereo

@Œð‹ŋ‹Č‘æ‚R‚P”Ôƒj’·’ēK.297(300a)uƒpƒŠv@
@PO.@63.10.16-19@Abbey Road Studio, London@(EMI)@Stereo

@Œð‹ŋ‹Č‘æ‚R‚R”ԕ󍒷’ēK.319@
@NPO.@65.9.22-23@Abbey Road Studio, London@(EMI)@Stereo

@Œð‹ŋ‹Č‘æ‚R‚S”Ôƒn’·’ēK.338@
@PO.@63.10.18-19@Kingsway Hall, London@(EMI)@Stereo

@Œð‹ŋ‹Č‘æ‚R‚T”Ôƒj’·’ēK.385uƒnƒtƒi[v@
@(1) LAPO.@38.1.1L@Paramount Studio, Hollywood@Mono
@(2) PO.@60.10.22,23@Abbey Road Studio, London@(EMI)@Stereo

@Œð‹ŋ‹Č‘æ‚R‚U”Ôƒn’·’ēK.425uƒŠƒ“ƒcv@
@(1) ƒpƒŠEƒvƒEƒ€ƒWƒJo.@50.2@Salle Pleyel, Paris@(Vox)@Mono
@(2)
PO.@56.7.19,21-24@Kingsway Hall, London@(EMI)@Stereo

@Œð‹ŋ‹Č‘æ‚R‚W”Ôƒj’·’ēK.504uƒvƒ‰ƒnv@
@(1) ƒxƒ‹ƒŠƒ“RIASso.@50.12.22-23@Jesus Christus-Kirche, Berlin@Mono
@(2) PO.@56.7.20,23-24@Kingsway Hall, London@(EMI)@Mono
@(3) PO.@62.3.26-28@Abbey Road Studio, London@(EMI)@Stereo

@Œð‹ŋ‹Č‘æ‚R‚X”ԕσz’·’ēK.543@
@(1) ƒnƒ“ƒKƒŠ[Rso.@49.4.17L@Hungarian Radio Studio@(Hun)@Mono
@(2) PO.@56.7.23-24@Kingsway Hall, London@(EMI)
@Mono
@(3) PO.@62.3.6-8,26-28@Abbey Road Studio, London@(EMI)@Stereo

@Œð‹ŋ‹Č‘æ‚S‚O”Ôƒg’Z’ēK.550@
@(1) PO.@56.7.21-23@Kingsway Hall, London@(EMI)@Stereo
@(2) PO.@62.3.8,28@Kingsway Hall, London@(EMI)@Stereo
@(3) –kƒhƒCƒcRso.@66.5.3L@Hamburg@Mono
@(4) NPO.@70.11.8L@Royal Festival Hall, London@Mono@
@@`‘æ‚SŠyÍ1-124ŽßƒŠƒn[ƒTƒ‹
@ƒXƒgƒbƒNƒzƒ‹ƒ€po.@ 65.5.11L@Stockholm Concert Hall@(BIS)@Mono

@Œð‹ŋ‹Č‘æ‚S‚P”Ôƒn’·’ēK.551uƒWƒ…ƒsƒ^[v @
@(1) PO.@54.10.5-6@Kingsway Hall, London@(EMI)@Mono
@(2) PO.@62.3.6-8@Kingsway Hall, London@(EMI)@Stereo
@(3) VPO.@68.5.19L@Musikvereinssaal, Vienna@Mono

@ƒAƒ_[ƒWƒ‡‚ƃt[ƒK@ƒn’Z’ēK.546@
@PO.@56.3.27@Abbey Road Studio, London@(EMI)@Stereo

@ƒtƒŠ[ƒƒCƒXƒ“‚Ė‚―‚ß‚Ė‘’‘—‰đŠyƒn’Z’ēK.477(479a)@
@(1) NPO.@64.11.14@Abbey Road Studio, London@(EMI)@Stereo
@(2) VPO.@68.6.9L@Musikvereinssaal, Vienna
@Mono

@ƒZƒŒƒi[ƒh‘æ‚U”Ôƒj’·’ēK.239uƒZƒŒƒi[ƒ^EƒmƒbƒgƒDƒ‹ƒiv@
@(1) ƒxƒ‹ƒŠƒ“RIASso.@50.12.22L@Jesus Christus-Kirche, Berlin@Mono
@(2) PO.@56.3.25@Abbey Road Studio, London@(EMI)@Mono/Stereo

@ƒZƒŒƒi[ƒh‘æ‚P‚O”ԕ󍒷’ēK.361(370a)uƒOƒ‰ƒ“Eƒpƒ‹ƒeƒB[ƒ^v@
@ƒƒ“ƒhƒ“ŠĮŠyQuit.&Ens.@63.11.26,12.10-13@Abbey Road Studio, London@(EMI)@Stereo

@ƒZƒŒƒi[ƒh‘æ‚P‚P”ԕσz’·’ēK.375@
@(1) ƒxƒ‹ƒŠƒ“RIASso.@50.12L@Mono
@(2) NPO.ŠĮŠyEns.@71.9.20-21@Abbey Road Studio, London@(EMI)@Stereo

@ƒZƒŒƒi[ƒh‘æ‚P‚Q”Ôƒn’Z’ēK.388(384a)uƒiƒnƒgƒ€ƒW[ƒNv@
@(1) ƒƒ“ƒhƒ“Wind.Ens.@67.3.17-18@(EMI)@Stereo
@(2)
VPO.@68.5.19L@Musikvereinssaal, Vienna@Mono

@ƒZƒŒƒi[ƒh‘æ‚P‚R”Ôƒg’·’ēK.525uƒAƒCƒlEƒNƒ‰ƒCƒlEƒiƒnƒgƒ€ƒW[ƒNv@
@(1) ƒpƒŠEƒvƒEƒ€ƒWƒJo.@46.7.2-7@Apollo Studio, Paris@(Vox)@Mono
@(2) ACO.@55.11.10L@Mono
@(3) PO.@56.3.25@Abbey Road Studio, London@(EMI)@Mono

@(4) NPO.@64.10.30,11.4@Abbey Road Studio, London@(EMI)@Stereo

@ƒsƒAƒm‹Ķ‘t‹Č‘æ‚Q‚O”Ôƒj’Z’ēK.466@
@PO.@C.ƒnƒXƒLƒ‹(pf)@59.9.8L@Kunsthaus, Lucerne, Switzerland@Mono

@ƒsƒAƒm‹Ķ‘t‹Č‘æ‚Q‚Q”ԕσz’·’ēK.482@
@ACO. A.ƒtƒBƒbƒVƒƒ[(pf)@56.7.12L@Concertgebouw, Amsterdam@Mono

@ƒsƒAƒm‹Ķ‘t‹Č‘æ‚Q‚T”Ôƒn’·’ēK.503@
@(1) NPO. D.ƒoƒŒƒ“ƒ{ƒCƒ€(pf)@67.3.14-15@Abbey Road Studio, London@(EMI)@Stereo
@(2) NPO. A.ƒuƒŒƒ“ƒfƒ‹(pf)@70.11.8L

@ƒsƒAƒm‹Ķ‘t‹Č‘æ‚Q‚V”ԕ󍒷’ēK.595@
@ƒPƒ‹ƒ“EƒMƒ…ƒ‹ƒcƒjƒbƒqo. C.ƒnƒXƒLƒ‹(pf)@56.9.9L@Pavilion des Sports, Montreux, Switzerland@Mono

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@ƒzƒ‹ƒ“‹Ķ‘t‹Č‘æ‚P”Ôƒj’·’ēK.412+514(386b)@
@PO. A.ƒVƒ”ƒBƒ‹(hr)@60.5.11,12@Abbey Road Studio, London@(EMI)@Stereo

@ƒzƒ‹ƒ“‹Ķ‘t‹Č‘æ‚Q”ԕσz’·’ēK.417@
@PO. A.ƒVƒ”ƒBƒ‹(hr)@60.5.11,12@Abbey Road Studio, London@(EMI)@Stereo

@ƒzƒ‹ƒ“‹Ķ‘t‹Č‘æ‚R”ԕσz’·’ēK.447@
@PO. A.ƒVƒ”ƒBƒ‹(hr)@60.5.18,19@Abbey Road Studio, London@(EMI)@Stereo

@ƒzƒ‹ƒ“‹Ķ‘t‹Č‘æ‚S”ԕσz’·’ēK.495@
@PO. A.ƒVƒ”ƒBƒ‹(hr)@60.5.18,19@Abbey Road Studio, London@(EMI)@Stereo

@‰ĖŒ€uƒRƒVEƒtƒ@ƒ“EƒgƒDƒbƒevK.588
@NPO. J.ƒI[ƒ‹ƒfƒBƒXcho. M.ƒvƒ‰ƒCƒX(S) Y.ƒ~ƒ“ƒgƒ“(Ms) L.ƒ|ƒbƒv(S) L.ƒAƒ‹ƒ”ƒ@(T) G.ƒGƒ”ƒ@ƒ“ƒY(Br) H.ƒ][ƒeƒBƒ“(Bs) O.ƒtƒ‹[ƒfƒ“ƒ^[ƒ‹(cemb)@71.1.25-2.18@Kingsway Hall, London@(EMI)@Stereo
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@NPO.@64.10.16,29@Abbey Road Studio, London@(EMI)@Stereo

@‰ĖŒ€uƒhƒ“EƒWƒ‡ƒ”ƒ@ƒ“ƒjvK.527
@(1) ƒPƒ‹ƒ“Rso. Cho. G.ƒƒ“ƒhƒ“(Br) H.ƒcƒ@ƒfƒN(S) L.ƒVƒ‚ƒm[(T) L.ƒEƒF[ƒo[(Bs) M.ƒNƒjƒbƒc(S) B.ƒNƒVƒF(Bs) R.ƒVƒ…ƒgƒ‰ƒCƒq(S) H.ƒMƒ…ƒ“ƒ^[(Bs)@55.5.17L
@(2) NPO. cho. N.ƒMƒƒƒEƒƒt(Br) C.ƒƒgƒ\ƒ“(S) N.ƒQƒbƒ_(T) F.ƒNƒ‰ƒX(Bs) C.ƒ‹[ƒgƒ”ƒBƒq(S) W.ƒxƒŠ[(Bs) M.ƒtƒŒ[ƒj(S) P.ƒ‚ƒ“ƒ^ƒ‹ƒ\ƒ(Bs) H.ƒXƒ~ƒX(cemb)@66.6.16-7.4@Abbey Road Studio, London@(EMI)@Stereo
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@(2) NPO.@64.10@Abbey Road Studio, London@(EMI)@Stereo

@‰ĖŒ€uƒtƒBƒKƒ‚ĖŒ‹ĨvK.492
@NPO. J.ƒI[ƒ‹ƒfƒBƒXcho. G.ƒoƒLƒG(Br) E.ƒ[[ƒ_[ƒVƒ…ƒgƒŒ[ƒ€(S) R.ƒOƒŠƒXƒg(S) G.ƒGƒ”ƒ@ƒ“ƒY(Bs) T.ƒxƒ‹ƒKƒ“ƒT(S) A.ƒuƒ‹ƒ}ƒCƒXƒ^[(Ms) W.ƒzƒ‹ƒ”ƒF[ƒN(T) M.ƒ‰ƒ“ƒOƒhƒ“(Bs) M.ƒvƒ‰ƒCƒX(S) H.ƒXƒ~ƒX(cemb)@70.1.8,10-13,15,16,19-22,25,26,29-31@Abbey Road Studio, London@(EMI)@Stereo
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@‰ĖŒ€uŒã‹{‚Đ‚į‚Ė“Ķ‘–vK.384
@ƒnƒ“ƒKƒŠ[‘—§o. cho. M.ƒMƒ…ƒ‹ƒRƒ”ƒBƒNƒX(S) S.ƒWƒFƒ“ƒ`(S) E.ƒ[ƒXƒ‰[(T) A.ƒLƒVƒFƒWƒC(T) M.ƒZ[ƒPƒC(Bs)@50.3.20L@State Opera House, Budapest@(Hun)@Mono
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@ PO.@60.9.29@Abbey Road Studio, London@(EMI)@Stereo

@‰ĖŒ€uc’éƒeƒB[ƒg‚ĖŽœ”߁vK.621`˜‹Č
@NPO.@64.11.14@Abbey Road Studio, London@(EMI)@Stereo

@‰ĖŒ€u–‚“JvK.620
@(1) ƒnƒ“ƒKƒŠ[‘—§‰ĖŒ€ęo. cho. M.ƒZ[ƒPƒC(Bs) R.ƒiƒWƒp[ƒ‹(T) S.ƒtƒ@ƒ‹ƒJƒVƒ…(Bs) M.ƒ}ƒ`ƒ„[ƒX(S) J.ƒIƒXƒ”ƒ@[ƒg(S) E.ƒ~ƒ“ƒWƒFƒ“ƒeƒB(Br) E.ƒpƒtƒ‰[ƒ“ƒXƒLƒB(S) P.ƒtƒFƒPƒe(T) S.ƒWƒFƒ“ƒ`(S) V.ƒRƒCƒ^ƒC(S) I.ƒ†ƒŒƒi[ƒN(A)@49.3.30L@State Opera House, Budapest@(Hun)@Mono
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@
`˜‹Č
@PO.@64.3.24,26@(EMI)@Stereo

@ƒŒƒ`ƒ^ƒeƒB[ƒ”ƒH‚ƃAƒŠƒAu‚Į‚Ī‚ĩ‚Ä‚ ‚Č‚―‚ð–Y‚ę‚į‚ę‚æ‚Ī/‹°‚ę‚é‚ą‚Æ‚Í‚Č‚Ē‚íA‚Ē‚Æ‚ĩ‚ĒlvK.505
@ACO. E.ƒVƒ…ƒ”ƒ@ƒ‹ƒcƒRƒbƒv(S) M.ƒNƒ‹ƒ`ƒIiPj@57.2.6L

Offenbach

@Šė‰ĖŒ€u”ü‚ĩ‚ŦƒGƒŒ[ƒkv`˜‹Č

@ƒxƒ‹ƒŠƒ“‘—§‰ĖŒ€ęo.@29.5.22@(Parlophon P9469)@Mono

@
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Puccini

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@LAPO J.ƒxƒ“ƒgƒlƒbƒŠ(T)@37.6.6L@Hollywood Bowl@Mono
@`‚í‚―‚ĩ‚Ė–ž‚̓~ƒ~
@LAPO L.ƒ{ƒŠ(S)@37.6.6L@Hollywood Bowl@Mono
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@LAPO L.ƒ{ƒŠ(S) J.ƒxƒ“ƒgƒlƒbƒŠ(T)@37.6.6L@Hollywood Bowl@Mono

Rameau

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@(1) VPO.@68.6.2L@Musikvereinssaal, Vienna
@(2) NPO.@68.10.12-14@Abbey Road Studio, London@(EMI) @Stereo

Ravel

@“đ‰ŧŽt‚Ė’Đ‚Ė‰Ė

@ƒxƒ‹ƒŠƒ“‘—§‰ĖŒ€ęo.@26@(Polydor 66463)@Mono

Schönberg

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@ACO.@55.7.7L@Concertgebouw, Amsterdam@Mono

@Žld‘t‹Ķ‘t‹Č(Händel‡‘t‹Ķ‘t‹Čop.6-7‚æ‚čSchönberg•Ō)@
@LAPO. ƒRƒŠƒbƒVƒ…SQ@38.1.6 or 7L@Philharmonic Auditorium, Los Angeles@Mono

Schubert

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@(1) ƒ‰ƒ€ƒ‹[o.@50.11.19,20@Salle Pleyel, Paris@(Vox)@Mono
@(2) ACO.@57.2.20L@Concertgebouw, Amsterdam@Mono

@Œð‹ŋ‹Č‘æ‚T”ԕ󍒷’ēD.485@
@PO.@63.5.13,15-16@Kingsway Hall, London@(EMI)@Stereo

@Œð‹ŋ‹Č‘æ‚W”Ôƒ’Z’ēD.759u–ĒŠŪŽv@
@(1) ƒxƒ‹ƒŠƒ“‘—§‰ĖŒ€ęo.@24@(Polydor 66778/80)@Mono
@(2) ƒuƒ_ƒyƒXƒgso.@48.6.18L@(Hun)@Mono
@(3) ƒgƒŠƒmRAIso.@56.12.17L@Auditorium RAI, Turin@Mono
@(4) PO.@63.2.4,6@Kingsway Hall, London@(EMI)@Stereo

@(5) ƒoƒCƒGƒ‹ƒ“Rso.@66.4.1L@HerkulesSaal, Munuch@Stereo
@(6) ƒGƒ‹ƒTƒŒƒ€so.@67.5.20L@Mono@(=MT)
@(7) VPO.@68.6.16L@Musikvereinssaal, Vienna@Stereo

@Œð‹ŋ‹Č‘æ‚X”Ôƒn’·’ēD.944uƒUEƒOƒŒƒCƒgv@
@PO.@60.11.16-19@Kingsway Hall, London@(EMI)@Stereo

Schumann

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@NPO.@65.10.21-23,25,27@Abbey Road Studio, London@(EMI)@Stereo

@Œð‹ŋ‹Č‘æ‚Q”Ôƒn’·’ēop.61@
@NPO.@68.10.5-6@Abbey Road Studio, London@(EMI)@Stereo

@Œð‹ŋ‹Č‘æ‚R”ԕσz’·’ēop.97uƒ‰ƒCƒ“v@
@NPO.@69.2.2.5-7@Abbey Road Studio, London@(EMI)@Stereo

@Œð‹ŋ‹Č‘æ‚S”Ôƒj’Z’ēop.120@
@(1) PO.@60.5.4-5@Abbey Road Studio, London@(EMI)@Stereo
@(2) ƒtƒBƒ‰ƒfƒ‹ƒtƒBƒAo.@62.10.27L@Academy of Music, Philadelphia@Stereo

@ƒQ[ƒe‚Ėuƒtƒ@ƒEƒXƒgv‚Đ‚į‚ĖîŒi`˜‹Č
@NPO.@69.2.5-8@Abbey Road Studio, London@(EMI)@Stereo

@Œ€‰đŠyuƒ}ƒ“ƒtƒŒƒbƒhvop.115`˜‹Č@
@NPO.@66.2.14,15@Abbey Road Studio, London@(EMI)@Stereo

@ƒsƒAƒm‹Ķ‘t‹ČƒC’Z’ēop.54
@(1) VSO. G.ƒmƒ”ƒ@ƒGƒX(pf)@50'@(Vox)@Mono
@(2) NPO. A.ƒtƒBƒbƒVƒƒ[(pf)@60.5.22-24,62.8.9-10,16@Abbey Road Studio, London@(EMI)@Stereo

@‰ĖŒ€uƒQƒmƒtƒF[ƒtƒ@vop.81`˜‹Č
@NPO.@68.10.3,6-7@Abbey Road Studio, London@(EMI)@Stereo

Shostakovich

@Œð‹ŋ‹Č‘æ‚X”ԕσz’·’ēop.70@
@ƒgƒŠƒmRAIso.@56.12.21L@Auditorium RAI, Turin@Mono@

Strang

@ƒCƒ“ƒeƒ‹ƒƒbƒcƒH

@LAPO.@39.2.10L@Mono

Strauss,J

@ƒƒ‹ƒcuƒEƒB[ƒ“‹CŽŋvop.354

@PO.@61.10.20@Kingsway Hall, London@(EMI)@Stereo

@c’é‰~•‘‹Čop.437
@PO.@61.10.20@Kingsway Hall, London@(EMI)@Stereo

@Šė‰ĖŒ€u‚ą‚Ī‚ā‚čv`˜‹Č
@(1) LAPO.@45.2.11L
@(2) PO.@61.10.30,12.2@Kingsway Hall, London@(EMI)@Stereo

Strauss,R

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@
@PO.@61.11.3,4@Kingsway Hall, London@(EMI)@Stereo@

@Œð‹ŋŽuƒeƒBƒ‹EƒIƒCƒŒƒ“ƒVƒ…ƒs[ƒQƒ‹‚Ė–ų‰õ‚Č‚Ē‚―‚ļ‚įvop.28@
@(1) ƒxƒ‹ƒŠƒ“‘—§‰ĖŒ€ęo.@29.6.3&24@(parlophon P9859/60)@Mono
@(2) LAPO.@38.1.1L@Mono
@(3) WDRso.@54.10.25@Klaus-von-Bismarck-Saal, WDR, Köln

@(4) ƒgƒŠƒmRAIso.@56.12.21L@Auditorium RAI, Turin@Mono
@(5) ACO.@57.2.7L@Mono
@(6) PO.@60.3.5,8-10@Kingsway Hall, London@(EMI)@Stereo

@Œð‹ŋŽuƒhƒ“Eƒtƒ@ƒ“vop.20@
@(1) ƒxƒ‹ƒŠƒ“‘—§‰ĖŒ€ęo.@29.6.28&10.25@(Parlophon E11051/2)@Mono
@(2) ƒPƒ‹ƒ“Rso.@56.2.27L@Grosser Sendesaal, Köln@Mono
@(3) PO.@60.3.5,8-10@Kingsway Hall, London@(EMI)@Stereo

@Œð‹ŋŽuŽ€‚Æ•Ï—evop.24@
@PO.@61.10.23,11.13@Kingsway Hall, London@(EMI)@Stereo

@ŠyŒ€uƒTƒƒvop.54`ƒTƒƒ‚Ė—x‚č@
@(1) ƒxƒ‹ƒŠƒ“‘—§‰ĖŒ€ęo.@28.5.25@Philharmonie, Berlin@(Electrola EJ276)@Mono
@(2) PO.@60.3.5,8-10@Kingsway Hall, London@(EMI)@Stereo

Stravinsky

@‚RŠyÍ‚ĖŒð‹ŋ‹Č
@
@PO.@62.3.28,30,5.16@Kingsway Hall, London@(EMI)@Stereo

@ƒoƒŒƒGuƒvƒ‹ƒ`ƒlƒ‹ƒ‰v‘g‹Č@
@(1) ƒgƒŠƒmRAIso.@56.12.21L@Auditorium RAI, Turin@Mono
@(2) ƒoƒCƒGƒ‹ƒ“Rso.@57.9.26L@Herkulessaal, Munich@Mono
@(3) PO.@63.2.18,5.14,18@Kingsway Hall, London@(EMI)@Stereo

@ƒoƒŒƒGuƒyƒgƒ‹[ƒVƒ…ƒJv(1947‰ü”Å3ŠĮ)@
@NPO.@67.3.28-31@Abbey Road Studio, London@(EMI)@Stereo

Tchaikovsky

@Œð‹ŋ‹Č‘æ‚S”Ôƒw’Z’ēop.36
@
@PO.@63.1.23-25,2.2@Kingsway Hall, London@(EMI)@Stereo

@Œð‹ŋ‹Č‘æ‚T”Ôƒz’Z’ēop.64@
@PO.@63.1.16-19,21@Kingsway Hall, London@(EMI)@Stereo

@Œð‹ŋ‹Č‘æ‚U”Ôƒ’Z’ēop.74u”ߜƁv@
@PO.@61.10.18-20@Kingsway Hall, London@(EMI)@Stereo

Thomas

@‰ĖŒ€uƒ~ƒjƒ‡ƒ“v`˜‹Č

@LAPO.@45.2.11L@Mono

Verdi

@‰ĖŒ€uƒVƒ`ƒŠƒA“‡‚Ė—[‚Ũ‚Ė‹F‚čv`˜‹Č

@LAPO.@34.1.1L@Mono

Wagner

@ƒW[ƒNƒtƒŠ[ƒg–q‰Ė

@(1) ƒxƒ‹ƒŠƒ“‘—§‰ĖŒ€ęo.@27@(Polydor 66604/5)@Mono
@(2) PO.@61.10.25@Kingsway Hall, London@(EMI)@Stereo
@(3) VPO.@68.6.16L@Musikvereinssaal, Vienna

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@PO.@60.3.2,3@Kingsway Hall, London@(EMI)@Stereo

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@PO.@60.2.27@Kingsway Hall, London@(EMI)@Stereo

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@PO.@61.11.14@Kingsway Hall, London@(EMI)@Stereo

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@PO. C.ƒ‹[ƒgƒ”ƒBƒq(Ms)@62.3.22-23@Kingsway Hall, London@(EMI)@Stereo

Weber

@‰ĖŒ€uƒIƒCƒŠƒAƒ“ƒevJ.291`˜‹Č

@(1) ƒxƒ‹ƒŠƒ“‘—§‰ĖŒ€ęo.@27@(Polydor@66629)@Mono
@(2) PO.@60.9.28@Kingsway Hall, London@(EMI)@Stereo

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@PO.@60.5.6@Kingsway Hall, London@(EMI)@Stereo

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@PO.@60.5.5-6@Kingsway Hall, London@(EMI)@Stereo

Weill

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@(1) ƒxƒ‹ƒŠƒ“‘—§‰ĖŒ€ęo.@31@(Polydor 24172/3)@Mono
@(2) PO.@61.10.31@Kingsway Hall, London@(EMI)@Stereo

ƒNƒŒƒ“ƒyƒ‰[‚ÍŒę‚é
@O.ƒNƒŒƒ“ƒyƒ‰[(Œę‚č) P.ƒwƒCƒ[ƒX(•·‚ŦŽč)@70

‚b‚c|‚q”Ղɂ‚Ē‚ā@i’ʏí‚ĖCD”ՂŃŠƒŠ[ƒX‚ģ‚ę‚Ä‚Ē‚Č‚Ē‚ā‚Ė‚ɂ‚Ē‚Ä‚Ė’‹Lj

*1@Beethoven‚Ė‘SŒð‹ŋ‹Č‚ɂ́A‰f‘œ‚Đ‚į—Ž‚Æ‚ģ‚ę‚―‚ÆŽv‚í‚ę‚é70”N˜^‰đ‚ĖCD-R”Õ‚Š‚ ‚éB(CD-R PANDORA'S BOX)
*2@Mahler‚ĖŒð‹ŋ‹Č‘æ‚Q”Ԃ̓‰ƒCƒ”(63.12.19)‚Š”­”„‚ģ‚ę‚Ä‚Ē‚é(CD-R Lucky Ball)B‚ą‚Ė‰‰‘t‚ÍH6.5.15‚ÉNHK-FM‚Å•ú‘—‚ģ‚ę‚―‚ā‚Ė‚Æ“Ŋˆę‚Å‚Í‚Č‚Ē‚Đ‚Æ‚Ėî•ņ‚ð‚Ē‚―‚ū‚Ē‚―B‚ŧ‚ę‚É‚æ‚é‚Ɖïę‚̓ƒCƒ„ƒ‹EƒtƒFƒXƒeƒBƒ”ƒ@ƒ‹Eƒz[ƒ‹‚Æ‚Ė‚ą‚Ɓi–ĒŠm”FjB
*3@Mahler‚ĖŒð‹ŋ‹Č‘æ‚X”ԁAƒCƒXƒ‰ƒGƒ‹so.iƒGƒ‹ƒTƒŒƒ€so.j‚Æ‚Ė70”Nƒ‰ƒCƒ”‚Š”­”„‚ģ‚ę‚Ä‚Ē‚éB(CD-R Novikiese)
*4@Mozart‚ĖŒð‹ŋ‹Č‘æ‚Q‚X”Ô‚Šã‹LMahler‚Q”Ô‚Æ‹Ī‚ÉŽû˜^‚ģ‚ę‚Ä‚Ē‚éB“Ŋ“ú‚Ėƒ‰ƒCƒ”B(CD-R Lucky Ball) - Testament‚Đ‚įģ‹KƒŠƒŠ[ƒXB
*5@Navikiese‚Đ‚įƒtƒBƒ‰ƒfƒ‹ƒtƒBƒAo.‚Æ‚ĖBachƒuƒ‰ƒ“ƒfƒ“ƒuƒ‹ƒN‹Ķ‘t‹Č‚P”Ô‚Š”­”„‚ģ‚ę‚Ä‚Ē‚é‚ŠA‚ą‚ę‚͂Ђ‚ÄAS Disc‚Đ‚į”­”„‚ģ‚ę‚―‰‰‘t‚Æ“Ŋ‚ķB
*6@“ŊãAMozart‚S‚P”Ô(62.12)
*7@“ŊãABrahms‚R”Ô(62.11)
*8@“ŊãASchumann‚S”Ô(62.11)
*9@ƒ}ƒ‹ƒcƒB‚Æ‚ĖMendelssohn‚Ėƒ”ƒ@ƒCƒIƒŠƒ“‹Ķ‘t‹Č‚ÍCD-R”Õ‚Šo‚Ä‚Ē‚éB(CD-R PASSION & CONCENTRATION)
*10@Mozart‚ĖŒð‹ŋ‹Č‚S‚O”Ôƒxƒ‹ƒŠƒ“RIASso.‚Æ‚Ė57.5‚Ėƒ‰ƒCƒ”CD-R”ՁB(CD-R PASSION & CONCENTRATION)
*11@“ŊãBrahmsŒð‹ŋ‹Č‚Q”Ô‚ā57.5‚Æ‚ģ‚ę‚Ä‚Ē‚é‚ŠA‚ą‚ę‚͏­‚Č‚­‚Æ‚āŽčŽ‚ŋOriginals”Õ‚Æ“Ŋˆę‰‰‘tB
*12@Beethoven‚ĖŒð‹ŋ‹Č‚R”ÔƒPƒ‹ƒ“Rso.‚Æ‚Ėƒ‰ƒCƒ”(56)‚Š”­”„‚ģ‚ę‚Ä‚Ē‚éB(CD-R PASSION & CONCENTRATION)
*13@“Ŋ‚V”ÔBPO.‚Æ‚Ėƒ‰ƒCƒ”(54.10.17)‚Š”­”„‚ģ‚ę‚Ä‚Ē‚éB(CD-R PASSION & CONCENTRATION)
*14@ƒNƒŒƒ“ƒyƒ‰[‚Ėƒ‰ƒXƒgEƒRƒ“ƒT[ƒg‚É‚ ‚―‚é71.9.26‚Ėƒ‰ƒCƒ”‚Šo‚Ä‚Ē‚éiƒCƒ“ƒtƒHƒ[ƒVƒ‡ƒ“‚Å‚Í5.26‚Æ‚Č‚Á‚Ä‚Ē‚é‚ŠA‹Ī‰‰ŽŌ“™‚Đ‚į‚ą‚Ė“ú•t‚ÍŠÔˆá‚Ē‚ū‚ÆŽv‚í‚ę‚éjB
@@@‹Č‚́ABeethoven:uƒVƒ…ƒeƒtƒ@ƒ“‰Īv˜‹ČAƒsƒAƒm‹Ķ‘t‹Č‘æ‚S”ԁiƒAƒhƒj@pfjABrahms:Œð‹ŋ‹Č‘æ‚R”ԁB(CD-R Rare Moth)
*15@Bruckner‚ĖŒð‹ŋ‹Č‚W”ԁA64.2.2‚Ėƒ‰ƒCƒ”‚Šo‚Ä‚Ē‚éB(CD-R Rare Moth)
*16@55.11.10AACO.Aƒ}ƒŠƒAEƒVƒ…ƒ^[ƒ_[‚Æ‚ĖMahler‚S”ԁAMozart‚ĖuƒGƒNƒXƒ‹ƒ^[ƒeEƒCƒEƒrƒ‰[ƒevK.165B(CD-R Rare Moth)-Audiophile APL101.553‚ŃŠƒŠ[ƒX
*17@56.5.2ABeethoven‚Q”ԁA56.5.9ABeethoven‚S”ԁA‹Ī‚ÉACO.B(CD-R Rare Moth)
*18@54.2.8ABeethoven‚R”ԁA56.10.17ABrahms‚P”ԁA‹Ī‚ɃPƒ‹ƒ“Rso.B(CD-R Rare Moth)@‚ą‚Ė‚Ī‚ŋŒãŽŌ‚ÍˆČ‘O‚Đ‚į‚Ē‚­‚‚ЂĖƒŒ[ƒxƒ‹‚Å”­”„‚ģ‚ę‚Ä‚Ē‚―‰‰‘t‚Æ“Ŋ‚ķB
*19@66.1.30‚ĖBeethovenƒ”ƒ@ƒCƒIƒŠƒ“‹Ķ‘t‹ČAY.ƒƒjƒ…[ƒCƒ“‚Ėƒ”ƒ@ƒCƒIƒŠƒ“ANPO.B(CD-R Rare Moth)
*20@66.3.17Beethoven‚ĖŒð‹ŋ‹Č‘æ‚SC‚T”ԁAƒPƒ‹ƒ“Rso.(CD-R Rare Moth)
*21@54.10.25Beethoven‚ĖŒð‹ŋ‹Č‘æ‚S”ԁA55.5.28Beethoven‚ĖŒð‹ŋ‹Č‘æ‚W”ԁAƒPƒ‹ƒ“Rso.(CD-R Rare Moth)
*22@58.1.6Beethoven‚ĖŒð‹ŋ‹Č‘æ‚X”ԁAƒPƒ‹ƒ“Rso.ƒ\ƒŠƒXƒg‚́AM.ƒVƒ…ƒ^[ƒ_[AG.ƒzƒtƒ}ƒ“AW.ƒNƒƒ“ƒgAH.ƒzƒbƒ^[B(CD-R Rare Moth)
*23@CD-R‚Å‚Í‚Č‚Ē‚Ė‚Å‚·‚ŠAVirtuoso‚Đ‚įƒŠƒŠ[ƒX‚ģ‚ę‚―ƒGƒ‹ƒTƒŒƒ€so.‚Æ‚ĖSchubert‚W”Ô(Virtuoso 94001)‚́AˆČ‘OFM‚Å•ú‘—‚ģ‚ę‚―˜^‰đ‚Æ“Ŋˆę‚Å‚·B
*24@68.6.16‚ĖVPO.‹q‰‰Žž‚ĖCD-R‚Šo‚Ü‚ĩ‚―BWagner‚ÍŠų‚ɏo‚Ä‚Ē‚Ü‚ĩ‚―‚ŠAR.Strauss‚Ėuƒhƒ“Eƒtƒ@ƒ“v‚͏‰‚ß‚Ä‚Ė‰đ”Õ‰ŧ‚ū‚ÆŽv‚Ē‚Ü‚·B(CD-R Ritardando RIT0005)
*25@ƒNƒŒƒ“ƒyƒ‰[‚ƃtƒBƒ‰ƒfƒ‹ƒtƒBƒAo.‚Æ‚Ė62”N‚Ėƒ‰ƒCƒ”‚͍Ą‚Ü‚Å‚āAS disc“™‚ŃŠƒŠ[ƒX‚ģ‚ę‚Ä‚Ē‚Ü‚ĩ‚―‚ŠAĄ“xDon Industriale‚Æ‚Ē‚ĪCD-RƒŒ[ƒxƒ‹‚Đ‚į‚Ü‚Æ‚Ü‚Á‚ďo‚Ü‚ĩ‚―B‚ą‚Ė‚Ī‚ŋ‚Ē‚­‚Â‚Đ‚Í‰‚ß‚Ä•·‚Ŋ‚鉉‘t‚Å‚·B
@Beethven:Œð‹ŋ‹Č‘æ‚U”ԁ^‘æ‚R”ԁ@62.10.19L (DI-03 001B)
@Beethoven:ƒGƒOƒ‚ƒ“ƒg˜‹ČABrahms:Œð‹ŋ‹Č‘æ‚R”ԁASchumann:Œð‹ŋ‹Č‘æ‚S”ԁ@62.10.27L (DI-03 003A)
@Bach:ƒuƒ‰ƒ“ƒfƒ“ƒuƒ‹ƒN‹Ķ‘t‹Č‘æ‚P”ԁAMozart:Œð‹ŋ‹Č‘æ‚S‚P”ԁABeethoven:Œð‹ŋ‹Č‘æ‚V”ԁ@62.11.2L (DI-03 002B)
*26@ƒNƒŒƒ“ƒyƒ‰[‚ĖŽĐėŽĐ‰‰‚ĖŒð‹ŋ‹Č‘æ‚Q”ԁ@69.9.30L (CD-R Rare Moth)

ƒŠƒXƒg‚Ėo“T

‚ą‚ĖƒŠƒXƒg‚́AŠî–{“I‚É‚ÍCD‚ĖƒNƒŒƒWƒbƒg‚É‚æ‚č‚Ü‚ĩ‚―‚ŠAŽŸ‚ĖƒfƒBƒXƒRƒOƒ‰ƒtƒB‚ðŽQl‚É‚ĩ‚Ü‚ĩ‚―B
@ƒs[ƒ^[EƒwƒCƒ[ƒX•Ō@ē“ĄÍ–ó@uƒNƒŒƒ“ƒyƒ‰[‚Æ‚Ė‘Θbv@ŠŠ––ƒfƒBƒXƒRƒOƒ‰ƒtƒBi‰”Å‚Ė‹ŒƒfƒBƒXƒRƒOƒ‰ƒtƒBj
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